Richard Lints

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  Identity And Idolatry

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  Series Preface
  Author’s Preface
  Abbreviations

  1. Living Inside The Text: Canon And Creation

  2. A Strange Bridge: Connecting The Image And The Idol
  Getting Started On The Wrong Foot: Creation And Image
  Human Identity And Human Nature

  3. The Liturgy Of Creation In The Cosmic Temple
  The First Stable As Prologue
  The Liturgy Of Creation
  The House That God Built

  4. The Image Of God On The Temple Walls
  Introduction
  Image And Original
  Signs Of Reflection
  A Reflected Relationship
  The First Table Background: Kings And Representatives
  After The First Table: Sonship And Sacredness
  Prelude To Idolatry

  5. Turning The Imago Dei Upside Down: Idolatry And The Prophetic Stance
  After Creation-whence Is The Image?
  Divine Fidelity And The Image
  The Decalogue And The Diatribe Against Idolatry
  The Golden Calf-the ‘great Sin’ Of Idolatry
  Covenantal Identity And Idolatry Across The Old Testament
  Idolatry And Adultery

  6. Inverting The Inversion: Idols And The Perfect Image
  Turning The Story Upside Down
  Setting The Context
  Idolatry And The Gentile Mission
  Theologies Of Idols: Romans 1 And 1 Corinthians 10
  Narratives Of Idolatry: Acts 7 And 17
  The Perfect Image
  Being In The Image Of The Image

  7. The Rise Of Suspicion: The Religious Criticism Of Religion
  Idolatry As Ideological Criticism: The Stage Is Set
  Idolatry As Psychological Projection
  Idolatry As Alienation And Oppression
  Idolatry And The Origin Of Religion
  Friedrich Nietzsche (1844-1900)

  8. Significance And Security In A New Key
  The Crisis Of Identity And The Idolatries Of Consumption
  Christian Identity And Plastic Narratives
  An Eternal Story Told Across Time

  Bibliography
  Index Of Authors
  Index Of Scripture References

  Additional Info
  So God created man in his own image, in the image of God he created him; male and female he created them. (Genesis 1:27)

  Genesis 1:26-27 has served as the locus of most theological anthropologies in the central Christian tradition. However, Richard Lints observes that too rarely have these verses been understood as conceptually interwoven with the whole of the prologue materials of Genesis 1. The construction of the cosmic temple strongly hints that the image of God language serves liturgical functions.

  Lints argues that idol language in the Bible is a conceptual inversion of the image language of Genesis 1. These constructs illuminate each other, and clarify the canon’s central anthropological concerns. The question of human identity is distinct, though not separate, from the question of human nature; the latter has far too frequently been read into the biblical use of ‘image’.

  Lints shows how the narrative of human identity runs from creation (imago Dei) to fall (the golden calf/idol, Exodus 32) to redemption (Christ as perfect image, Colossians 1:15-20). The biblical-theological use of image/idol is a thread through the canon that highlights the movements of redemptive history.

  In the concluding chapters of this New Studies in Biblical Theology volume, Lints interprets the use of idolatry as it emerges in the secular prophets of the nineteenth century, and examines the recent renaissance of interest in idolatry with its conceptual power to explain the culture of desire.

  Addressing key issues in biblical theology, the works comprising New Studies in Biblical Theology are creative attempts to help Christians better understand their Bibles. The NSBT series is edited by D. A. Carson, aiming to simultaneously instruct and to edify, to interact with current scholarship and to point the way ahead.

   

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